Flower Photography Prints, Up Close
Get close enough to a flower and it stops being decoration. Veins, dew, pollen and the odd imperfection start to show, and that's where these photographs live. The collection moves from garden blooms to wild flowers and a few finds from the forest floor, including the flower fields of the Costuma Valley in Spain.
Botanical Wall Art for Every Room
Some pieces here are dark and graphic, closer to sculpture than to a bouquet. Others are soft and warm. That range makes it easy to find something for a bedroom, a bathroom, a hallway or a living room. Every image is available as a print, framed, on canvas or on aluminium. Every print is a limited edition flower photography print: no more than 50 per image worldwide, and I keep the edition register myself.
Digitalis (Foxglove)
The inside of a foxglove, photographed so close that the speckled throat looks more like something from a coral reef than a garden border. Against the dark background, the spots and fine hairs turn into a pattern of their own. This one needs size: printed large, the detail really comes through.
Curious what it takes to capture a single flower in this kind of detail? I wrote about the process — the light, the patience, and the macro setup behind these shots. → Read the story on the blog.
Woodland Glow — Mushroom Wall Art for Hallway
A cluster of mushrooms, lit from behind so the gills turn amber against the dark. I found them in my own garden and set up the light on the spot. You don't always need to travel far for a good subject. It's an unexpected piece for a hallway or a reading nook, the kind of spot where people stop and look twice.
Red Poppy Close-Up — Statement Floral Wall Art
One red poppy fills the whole frame. Warm light picks out every fold in the petals, while the dark, glossy seed pod in the centre pulls your eye straight in. It's strong enough to carry a wall on its own. Printed large on canvas or in Gloss, the red really glows.
Blue Globe Thistle — Botanical Macro Wall Art
Up close, a globe thistle looks less like a flower and more like a crystal: hundreds of spiky florets catching cool blue with hints of gold. The off-centre framing leaves plenty of dark space around it, which makes this a graphic choice for a modern living room or an office.
Dandelion Seed Head — Fine Art Macro
Usually something you'd blow away without a second thought. Backlit, every fibre of the seed head shows up sharp and bright. Because the image is so simple, it's flexible: calm enough for a bedroom, strong enough for a living room or office.
Hosta Flower Bud — Botanical Wall Art
Most people notice hostas for their leaves, and only look at the flowers once they're open. This is the moment before: purple petals still folded tight, half hidden in shadow. A subtle piece, with colour that doesn't shout.
Two Red Poppies in Bloom — Floral Wall Art for Bedroom
Two poppies in the last light of the day, their petals turning translucent red against a soft green field. Photographed in the flower fields of the Costuma Valley. Warm, gentle and easy to live with, it works well above a bed or in a living room where you want colour without intensity.
Red Tulip with Water Droplets — Macro Flower Print
Drops of water resting on a red tulip petal: the kind of detail you only notice when you get close and keep still. The dark background makes it moody rather than sweet, which suits a bedroom or a bathroom wall.
White Coneflower Close-Up — Botanical Photography Print
The centre of a white coneflower is pure texture: a dense cone of tiny spikes, with the petals pushed out to the edge of the frame. Up close, the structure becomes the subject. A clean, graphic choice for a minimalist living room or study.
Working on a hotel, office, or interior project? See options for custom sizing and digital files →
Choosing Flower Wall Art for Your Space
Flower photography brings a different energy into a room than wildlife or landscapes. A single bloom doesn't take over a wall. It gives the eye somewhere to rest. That makes flower prints a good fit for bedrooms, reading corners and hallways, or as the one softer piece in a gallery wall full of bolder work.
Which room fits which flower
The dark-background macros, like the foxglove, the globe thistle and the single red poppy, read as bold and graphic. They hold their own in a living room or office. The softer, warmer pieces, like the two poppies at dusk or the tulip with water droplets, suit bedrooms and reading corners, where you want calm rather than a focal point.
Sizing for real walls
Most macro prints work best between 40×60 cm and 60×90 cm. That's big enough to show the detail, and small enough for a gallery grouping or above a nightstand. For a single statement piece above a bed or sofa, go up to 80×120 cm: the close-up keeps its intimacy but gets real presence on the wall. More on materials and paper: → Print Quality
Real photography, not stock or AI
Every image in this collection was photographed for real, in gardens, forests and the flower fields of the Costuma Valley. Nothing was staged in a studio or generated. If you're after a bolder, more graphic floral style, have a look at the → Digital Art collection, where AI is part of the process.
Frequently Asked Questions
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Yes. The smaller sizes on fine art paper are the most affordable way into a limited edition. On the order page of each print you can view all sizes with their prices. Every print is a limited edition of no more than 50 per image, and I keep the edition register myself. Read how limited editions work.
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Right here. Every flower print on this site is made to order by Labkorner or Werk aan de Muur, both professional fine art labs, on fine art paper, canvas, aluminium, acrylic glass or ArtFrame. Each print is a limited edition of no more than 50 per image, and I keep the edition register myself. Open a flower print from this collection, check the sizes and prices and order from the print partner of your choice.
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Flower prints are available to order on this page, directly from the photographer. Every print is a limited edition of no more than 50 per image, counted across all sizes, materials and sales channels, except wallpaper, so an edition closes permanently once it is sold out. Open a flower print, check the sizes and prices and order from Labkorner or Werk aan de Muur. Want to know whether an edition of a specific image is still open? Get in touch and I will check my edition register.
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There is no single best print, and I would not pretend otherwise. As a photographer, and as the founder of Pure & Original, I spent years working with colour and with interior designers, architects and stylists. From 2012 until I stopped working actively at Pure & Original in 2021, vtwonen, the Dutch TV programme, interviewed me several times a year about new colours and paint types, such as which finishes, like lime paint, create the best atmosphere. They also published an article about me. That is why I start with the colours of the room, not with the flower. For a bold statement wall I would look at the Red Poppy Close-Up or the Digitalis (Foxglove). For a calmer space, such as a hallway or bedroom, the Woodland Glow or the Red Tulip with Water Droplets. Every flower print is a limited edition of no more than 50 per image, and no more than 10 are made larger than 100 cm. I keep the edition register myself. Open a flower print, check the sizes and prices and order from Labkorner or Werk aan de Muur, on fine art paper, canvas, aluminium, acrylic glass or ArtFrame. Not sure what suits your space? Get in touch and I will happily think along with you.
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Start with the wall. Most macro prints work best between 40 × 60 cm and 60 × 90 cm. That is big enough to show the detail, and small enough for a gallery grouping or above a nightstand. For a single statement piece above a bed or sofa, go up to 80 × 120 cm: the close-up keeps its intimacy but gets real presence on the wall. Tape paper at the real size on your wall first. It shows right away whether the print is too small or takes over the room.
My own starting point is different, and it comes from years of working with colour and with interior designers and architects. I do not start with centimetres. I start with the colour of the wall and the light in the room, and with what you want the room to feel like. A dark print on a dark wall can look almost like a window, and a large format turns a wall into the centrepiece of the room. A smaller print keeps the room quiet. I also like to leave the beaten path, as I did at Pure & Original. In one mockup of the lion from my AI art series Wild Souls, a very large dark print hangs on a black wall in a kitchen. It breaks the rules above, and it works.
Every print can be ordered in different sizes, and on the order page you can view all sizes with their prices. Every print is a limited edition of no more than 50 per image, and no more than 10 are made larger than 100 cm. Not sure which size suits your wall? Send me a photo of the room and I will happily think along with you.