Every photograph in this collection was taken in the field, not generated. From the plains of Tanzania to the fjords of the Lofoten Islands, each print starts with a real moment — a herd crossing at first light, a storm rolling over a Scottish loch, the quiet geometry of a European facade. Erwin Floor's work has been featured in Dutch photography magazine ZOOM and has placed in Fotobond Nederland competitions, but the aim behind every print stays the same: bring something real onto the wall, not a stock photo, not a generated image.
The photography collection is organized into four categories — Wildlife, Landscape, Black & White, and Flowers — each shot differently, each suited to a different kind of space.
Wildlife
Shot on location across Tanzania, Kenya, and beyond — elephants, giraffes, zebras, and the occasional gorilla, always in their own environment, never staged. Wildlife photography asks for patience more than anything: waiting hours for the right light, the right angle, the moment an animal turns toward the lens instead of away from it. These prints work well in living rooms, offices, and hospitality lobbies where a single strong image needs to hold a wall on its own.
Landscape
Norway's Lofoten Islands, Morocco's dunes, Costa Rica's rainforest — landscape photography here leans into dramatic, changeable light rather than postcard-perfect calm. Blue hour over snow-capped mountains, storm clouds breaking over water, the green flicker of the northern lights. These prints suit larger walls and spaces that can hold a sense of scale — dining rooms, hotel lobbies, boardrooms.
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Black & White
A cross-section of the wildlife, landscape, and architecture work, stripped down to light, shadow, and texture. Erwin's photography started in a darkroom years before digital, and that eye — for contrast over colour, for what's left once you take the colour away — still shapes how these images are chosen and edited. Black and white prints tend to suit more minimal or monochrome interiors, where a single high-contrast image can anchor a room.
Flowers
Close-up, slow, and deliberate — botanical studies shot for texture and light rather than sweeping scenery. A softer, quieter counterpoint to the wildlife and landscape work, well suited to bedrooms, bathrooms, and smaller wall spaces.
How the Prints Are Made
Every print is produced through Printful, using archival inks and museum-quality paper or canvas, made to hold color and detail for decades. Each piece is limited edition, with color managed from the original photograph through to the final print.